Index


A Place on the River


H. Russell Wakefield



Prospectus: To Let Immediate Occupancy. A Place on the River.
The Grange, near Richmond Bridge, London, England. Georgian
style house  in  its own grounds  with lawns and  borders running
to the river A charming, three-storey building of four bedrooms,
with  it's own  lounge,  dining  room  and  fine  reception  room.

Contents


The Red Lodge
Ghost Hunt

The Red Lodge


"H.R. Wakefield, in his collections, They Return at Evening and Others Who Return, manages now and then to achieve heights of horror despite a vitiating air of sophistication. The most notable stories are The Red Lodge with its slimy acqueous evil, He Cometh and He Passeth By, And He Shall Sing, The Cairn, Look Up There, Blind Man's Buff, and that bit of lurking millennial horror, The Seventeenth Hole at Doncaster."

—HP Lovecraft


   I am writing this from an imperative sense of duty, for I consider The Red Lodge is a foul death-trap and utterly unfit to be a human habitation—it has its own proper denizens—and because I know its owner to be an unspeakable blackguard to allow it so to be used for his financial advantage. He knows the perils of the place perfectly well; I wrote him of our experiences, and he didn't even acknowledge the letter, and two days ago I saw the ghastly pest-house advertised in Country Life. So anyone who rents The Red Lodge in future will receive a copy of this document as well as some uncomfortable words from Sir William, and that scoundrel Wilkes can take what action he pleases.
   I certainly didn't carry any prejudice against the place down to it with me: I had been too busy to look over it myself, but my wife reported extremely favourably—I take her word for most things-—and I could tell by the photographs that it was a magnificent specimen of the medium-sized Queen Anne house, just the ideal thing for me. Mary said the garden was perfect, and there was 'the river' for Tim at the bottom of it. I had been longing for a holiday, and was in the highest spirits as I travelled down. I was not in the highest spirits for long.
   My first vague, faint uncertainty came to me so soon as I had crossed the threshold. I am a painter by profession, and therefore sharply responsive to colour tone. Well, it was a brilliantly fine day, the hall of the Red Lodge was fully lighted, yet it seemed a shade off the key, as it were, as though I were regarding it through a pair of slightly darkened glasses. Only a painter would have noticed it, I fancy.
   When Mary came out to greet me, she was not looking as well as I had hoped, or as well as a week in the country should have made her look.
   "Everything all right?" I asked.
   "Oh, yes," she replied, but I thought she found it difficult to say so, and then my eye detected a curious little spot of green on the maroon rug in front of the fireplace. I picked it up—it seemed like a patch of river slime.
   "I suppose Tim brings those in," said Mary. "I've found several; of course, he promises he doesn't." And then for a moment we were silent, and a very unusual sense of constraint seemed to set a barrier between us. I went out into the garden to smoke a cigarette before lunch, and sat myself down under a very fine mulberry tree.
   I wondered if, after all, I had been wise to have left it all to Mary. There was nothing wrong with the house, of course, but I am a bit psychic, and I always know the mood or character of a house. One welcomes you with the tail-writhing enthusiasm of a really nice dog, makes you at home, and at your ease at once. Others are sullen, watchful, hostile, with things to hide. They make you feel that you have obtruded yourself into some curious affairs which are none of your business. I had never encountered so hostile, aloof, and secretive a living place as The Red Lodge seemed when I first entered it. Well, it couldn't be helped, though it was disappointing; and there was Tim coming back from his walk, and the luncheon gong. My son seemed a little subdued and thoughtful, though he looked pretty well, and soon we were all chattering away with those quick changes of key which occur when the respective ages of the conversationalists are forty, thirty-three and six and one-half, and after half a bottle of Meursault and a glass of port I began to think I had been a morbid ass. I was still so thinking when I began my holiday in the best possible way by going to sleep in an exquisitely comfortable chair under the mulberry tree. But I have slept better. I dozed off, but I had a silly impression of being watched, so that I kept waking up in case there might be someone with his eye on me. I was lying back, and could just see a window on the second floor framed by a gap in the leaves, and on one occasion, when I woke rather sharply from one of these dozes, I thought I saw for a moment a face peering down at me, and this face seemed curiously flattened against the pane—just a "carry over" from a dream, I concluded. However, I didn't feel like sleeping any more, and began to explore the garden. It was completely walled in, I found, except at the far end, where there was a door leading through to a path which, running parallel to the right-hand wall, led to the river a few yards away. I noticed on this door several of those patches of green slime for which Tim was supposedly responsible. It was a dark little corner cut off from the rest of the garden by two rowan trees, a cool, silent little place I thought it. And then it was time for Tim's cricket lesson, which was interrupted by the arrival of some infernal callers. But they were pleasant people, as a matter of fact, the Local Knuts, I gathered, who owned the Manor House; Sir William Prowse and his lady and his daughter. I went for a walk with him after tea.
   "Who had this house before us?" I asked.
   "People called Hawker," he replied. "That was two years ago."
   "I wonder the owner doesn't live in it," I said. "It isn't an expensive place to keep up."
   Sir William paused as if considering his reply.
   "I think he dislikes being so near the river. I'm not sorry, for I detest the fellow. By the way, how long have you taken it for?"
   "Three months," I replied, "till the end of October."
   "Well, if I can do anything for you I shall be delighted. If you are in any trouble, come straight to me." He slightly emphasised the last sentence.
   I rather wondered what sort of trouble Sir William envisaged for me. Probably he shared the general opinion that artists were quite mad at times, and that when I had one of my lapses I should destroy the peace in some manner. However, I was duly grateful.
   I was sorry to find Tim didn't seem to like the river; he appeared nervous of it, and I determined to help him to overcome this, for the fewer terrors one carries through life with one the better, and they can often be laid by delicate treatment in childhood. Curiously enough the year before at Frinton he seemed to have no fear of the sea.
   The rest of the day passed uneventfully—at least I think I can say so. After dinner I strolled down to the end of the garden, meaning to go through the door and have a look at the river. Just as I got my hand on the latch there came a very sharp, furtive whistle. I turned round quickly, but seeing no one, concluded it had come from someone in the lane outside. However, I didn't investigate further, but went back to the house.
   I woke up the next morning feeling a shade depressed. My dressing-room smelled stale and bitter, and I flung its windows open. As I did so I felt my right foot slip on something. It was one of those small, slimy, green patches. Now Tim would never come into my dressing-room. An annoying little puzzle. How on earth had that patch—? Which question kept forcing its way into my mind as I dressed. How could a patch of green slime . . . ? How could a patch of green slime . . . ? Dropped from something? From what? I am very fond of my wife—she slaved for me when I was poor, and always has kept me happy, comfortable and faithful, and she gave me my small son Timothy. I must stand between her and patches of green slime! What in hell's name was I talking about? And it was a flamingly fine day. Yet all during breakfast my mind was trying to find some sufficient reason for these funny little patches of green slime, and not finding it.
   After breakfast I told Tim I would take him out in a boat on the river.
   "Must I, Daddy?" he asked, looking anxiously at me. "No, of course not," I replied, a trifle irritably, "but I believe you'll enjoy it."
   "Should I be a funk if I didn't come?"
   "No, Tim, but I think you should try it once, anyway."
   "All right," he said.
   He's a plucky little chap, and did his very best to pretend to be enjoying himself, but I saw it was a failure from the start.
   Perplexed and upset, I asked his nurse if she knew of any reason for this sudden fear of water.
   "No, sir," she said. "The first day he ran down to the river just as he used to run down to the sea, but all of a sudden he started crying and ran back to the house. It seemed to me he'd seen something in the water which frightened him."
   We spent the afternoon motoring round the neighborhood, and already I found a faint distaste at the idea of returning to the house, and again I had the impression that we were intruding, and that something had been going on during our absence which our return had interrupted.
   Mary, pleading a headache, went to bed soon after dinner, and I went to the study to read.
   Directly I had shut the door I had again that very unpleasant sensation of being watched. It made the reading of Sidgwick's The Use of Words in Reasoning—an old favourite of mine, which requires concentration—a difficult business. Time after time I found myself peeping into dark corners and shifting my position. And there were little sharp sounds; just the oak-panelling cracking, I supposed. After a time I became more absorbed in the book, and less fidgety, and then I heard a very soft cough just behind me. I felt little icy rays pour down and through me, but I would not look round, and I would go on reading. I had just reached the following passage: "However many things may be said about Socrates, or about any fact observed, there remains still more that might be said if the need arose; the need is the determining factor. Hence the distinction between complete and incomplete description, though perfectly sharp and clear in the abstract, can only have a meaning—can only be applied to actual cases—if it be taken as equivalent to sufficient description, the sufficiency being relative to some purpose. Evidently the description of Socrates as a man, scanty though it is, may be fully sufficient for the purpose of the modest enquiry whether he is mortal or not"—when my eye was caught by a green patch which suddenly appeared on the floor beside me, and then another and another, following a straight line towards the door. I picked up the nearest one, and it was a bit of soaking slime. I called on all my will power, for I feared something worse to come, and it should not materialise—and then no more patches appeared. I got up and walked deliberately, slowly, to the door, turned on the light in the middle of the room, and then came back and turned out the reading lamp and went to my dressing-room. I sat down and thought things over. There was something very wrong with this house. I had passed the stage of pretending otherwise, and my inclination was to take my family away from it the next day. But that meant sacrificing one hundred and sixty-eight pounds, and we had nowhere else to go. It was conceivable that these phenomena were perceptible only to me, being half a Highlander. I might be able to stick it out if I were careful and kept my tail up, for apparitions of this sort are partially subjective—one brings something of oneself to their materialisation. That is a hard saying, but I believe it to be true. If Mary and Tim and the servants were immune it was up to me to face and fight this nastiness. As I undressed, I came to the decision that I would decide nothing then and there, and that I would see what happened. I made this decision against my better judgment, I think.
   In bed I tried to thrust all this away from me by a conscious effort to "change the subject," as it were. The easiest subject for me to switch over to is the myriad-sided, useless, consistently abused business of creating things, stories out of pens and ink and paper, representations of things and moods out of paint, brushes and canvas, and our own miseries, perhaps, out of wine, women and song. With a considerable effort, therefore, and with the edges of my brain anxious to be busy with bits of green slime, I recalled an article I had read that day on a glorious word "Jugend-bewegung," the "Youth Movement," that pregnant or merely wind-swollen Teutonism! How ponderously it attempted to canonise with its polysyllabic sonority that inverted Boy-Scoutishness of the said youths and maidens. "One bad, mad deed—sonnet—scribble of some kind—lousy daub—a day." Bunk without spunk, sauce without force, Futurism without a past, merely a Transition from one yelping pose to another. And then I suddenly found myself at the end of the garden, attempting desperately to hide myself behind a rowan tree, while my eyes were held relentlessly to face the door. And then it began slowly to open, and something which was horridly unlike anything I had seen before began passing through it, and I knew It knew I was there, and then my head seemed to burst and flamed asunder, splintered and destroyed, and I awoke trembling to feel that something in the darkness was poised an inch or two above me, and then drip, drip, drip, something began falling on my face. Mary was in the bed next to mine, and I would not scream, but flung the clothes over my head, my eyes streaming with the tears of terror. And so I remained cowering till I heard the clock strike five, and dawn, the ally I longed for, came, and the birds began to sing, and then I slept.



   I awoke a wreck, and after breakfast, feeling the need to be alone, I pretended I wanted to sketch, and went out into the garden. Suddenly I recalled Sir William's remark about coming to see him if there was any trouble. Not much difficulty in guessing what he had meant. I'd go and see him about it at once. I wished I knew whether Mary was troubled too. I hesitated to ask her, for, if she were not, she was certain to become suspicious and uneasy, if I questioned her. And then I discovered that, while my brain had been busy with its thoughts my hand had also not been idle, but had been occupied in drawing a very singular design on the sketching block. I watched it as it went automatically on. Was it a design or a figure of some sort? When had I seen something like it before? My God, in my dream last night! I tore it to pieces, and got up in agitation and made my way to the Manor House along a path through tall, bowing, stippled grasses hissing lightly in the breeze. My inclination was to run to the station and take the next train to anywhere; pure undiluted panic—an insufficiently analysed word—that which causes men to trample on women and children when Death is making his choice. Of course, I had Mary and Tim and the servants to keep me from it, but supposing they had no claim on me, should I desert them? No, I should not. Why? Such things aren't done by respectable inhabitants of Great Britain—a people despised and respected by all other tribes. Despised as Philistines, but it took the jaw-bone of an ass to subdue that hardy race! Respected for what? Birkenhead stuff. No, not the noble Lord, for there were no glittering prizes for those who went down to the bottom of the sea in ships. My mind deliberately restricting itself to such highly debatable jingoism, I reached the Manor House, to be told that Sir William was up in London for the day, but would return that evening. Would he ring me up on his return? "Yes, sir." And then, with lagging steps, back to The Red Lodge.
   I took Mary for a drive in the car after lunch. Anything to get out of the beastly place. Tim didn't come, as he preferred to play in the garden. In the light of what happened I suppose I shall be criticised for leaving Tim alone with a nurse, but at that time I held the theory that these appearances were in no way malignant, and that it was more than possible that even if Tim did see anything he wouldn't be frightened, not realising it was out of the ordinary in any way. After all, nothing that I had seen or heard, at any rate during the daytime, would strike him as unusual.
   Mary was very silent, and I was beginning to feel sure, from a certain depression and oppression in her manner and appearance, that my trouble was hers. It was on the tip of my tongue to say something, but I resolved to wait until I had heard what Sir William had to say. It was a dark, sombre, and brooding afternoon, and my spirits fell as we turned for home. What a home!
   We got back at six, and I had just stopped the engine and helped Mary out when I heard a scream from the garden. I rushed round, to see Tim, his hands to his eyes, staggering across the lawn, the nurse running behind him. And then he screamed again and fell. I carried him into the house and laid him down on a sofa in the drawing-room, and Mary went to him. I took the nurse by the arm and out of the room; she was panting and crying down a face of chalk.
   "What happened? What happened?" I asked.
   "I don't know what it was, sir, but we had been walking in the lane, and had left the door open. Master Tim was a bit ahead of me, and went through the door first, and then he screamed like that."
   "Did you see anything that could have frightened him?"
   "No, sir, nothing."
   I went back to them. It was no good questioning Tim, and there was nothing coherent to be learnt from his hysterical sobbing. He grew calmer presently, and was taken up to bed. Suddenly he turned to Mary, and looked at her with eyes of terror.
   "The green monkey won't get me, will it, Mummy?"
   "No, no, it's all right now," said Mary, and soon after he went to sleep, and then she and I went down to the drawing-room. She was on the border of hysteria herself.
   "Oh, Tom, what is the matter with this awful house? I'm terrified. Ever since I've been here I've been terrified. Do you see things?"
   "Yes," I replied.
   "Oh, I wish I'd known. I didn't want to worry you if you hadn't. Let me tell you what it's been like. On the day we arrived I saw a man pass ahead of me into my bedroom. Of course, I only thought I had. And then I've heard beastly whisperings, and every time I pass that turn in the corridor I know there's someone just round the corner. And then the day before you arrived I woke suddenly, and something seemed to force me to go to the window, and I crawled there on hands and knees and peeped through the blind. It was just light enough to see. And suddenly I saw someone running down the lawn, his or her hands outstretched, and there was something ghastly just beside him, and they disappeared behind the trees at the end. I'm terrified every minute."
   "What about the servants?"
   "Nurse hasn't seen anything, but the others have, I'm certain. And then there are those slimy patches, I think they're the vilest of all. I don't think Tim has been troubled till now, but I'm sure he's been puzzled and uncertain several times."
   "Well," I said, "it's pretty obvious we must clear out. I'm seeing Sir William about it to-morrow, I hope, and I'm certain enough of what he'll advise. Meanwhile we must think over where to go. It is a nasty jar, though; I don't mean merely the money, though that's bad enough, but the fuss—just when I hoped we were going to be so happy and settled. However, it's got to be done. We should be mad after a week of this filth-drenched hole."
   Just then the telephone bell rang. It was a message to say Sir William would be pleased to see me at half past ten to-morrow.
   With the dusk came that sense of being watched, waited for, followed about, plotted against, an atmosphere of quiet, hunting malignancy. A thick mist came up from the river, and as I was changing for dinner I noticed the lights from the windows seemed to project a series of swiftly changing pictures on its grey, crawling screen. The one opposite my window, for example, was unpleasantly suggestive of three figures staring in and seeming to grow nearer and larger. The effect must have been slightly hypnotic, for suddenly I started back, for it was as if they were about to close on me. I pulled down the blind and hurried downstairs. During dinner we decided that unless Sir William had something very reassuring to say we would go back to London two days later and stay at a hotel till we could find somewhere to spend the next six weeks. Just before going to bed we went up to the night nursery to see if Tim was all right. This room was at the top of a short flight of stairs. As these stairs were covered with green slime, and there was a pool of the muck just outside the door, we took him down to sleep with us.
   The Permanent Occupants of The Red Lodge waited till the light was out, but then I felt them come thronging, slipping in one by one, their weapon, fear. It seemed to me they were massed for the attack. A yard away my wife was lying with my son in her arms, so I must fight. I lay back, gripped the sides of the bed and strove with all my might to hold my assailants back. As the hours went by I felt myself beginning to get the upper hand, and a sense of exaltation came to me. But an hour before dawn they made their greatest effort. I knew that they were willing me to creep on my hands and knees to the window and peep through the blind, and that if I did so we were doomed. As I set my teeth and tightened my grip till I felt racked with agony, the sweat poured from me. I felt them come crowding round the bed and thrusting their faces into mine; and a voice in my head kept saying insistently, "You must crawl to the window and look through the blind." In my mind's eye I could see myself crawling stealthily across the floor and pulling the blind aside, but who would be staring back at me? Just when I felt my resistance breaking I heard a sweet, sleepy twitter from a tree outside, and saw the blind touched by a faint suggestion of light, and at once those with whom I had been struggling left me and went their way, and, utterly exhausted, I slept.
   In the morning I found, somewhat ironically, that Mary had slept better than on any night since she came down.
   Half past ten found me entering the Manor House, a delightful nondescript old place, which started wagging its tail as soon as I entered it. Sir William was awaiting me in the library. "I expected this would happen," he said gravely, "and now tell me."
   I gave him a short outline of our experiences.
   "Yes," he said, "it's always much the same story. Every time that horrible place has been let I have felt a sense of personal responsibility, and yet I cannot give a proper warning, for the letting of haunted houses is not yet a criminal offense—though it ought to be—and I couldn't afford a libel action, and, as a matter of fact, one old couple had the house for fifteen years and were perfectly delighted with it, being troubled in no way. But now let me tell you what I know of The Red Lodge. I have studied it for forty years, and I regard it as my personal enemy.
   "The local tradition is that the second owner, early in the eighteenth century, wished to get rid of his wife, and bribed his servants to frighten her to death—just the sort of ancestor I can imagine that blackguard Wilkes being descended from.
   "What devilries they perpetrated I don't know, but she is supposed to have rushed from the house just before dawn one day and drowned herself. Whereupon her husband installed a small harem in the house; but it was a failure, for each of these charmers one by one rushed down to the river just before dawn, and finally the husband himself did the same. Of the period between then and forty years ago I have no record, but the local tradition has it that it was the scene of tragedy after tragedy, and then was shut up for a long time. When I first began to study it, it was occupied by two bachelor brothers. One shot himself in the room which I imagine you use as your bedroom, and the other drowned himself in the usual way. I may tell you that the worst room in the house, the one the unfortunate lady is supposed to have occupied, is locked up, you know, the one on the second floor. I imagine Wilkes mentioned it to you."
   "Yes, he did," I replied. "Said he kept important papers there."
   "Yes; well, he was forced in self-defence to do so ten years ago, and since then the death rate has been lower, but in those forty years twenty people have taken their lives in the house or in the river, and six children have been drowned accidentally. The last case was Lord Passover's butler in 1924. He was seen to run down to the river and leap in. He was pulled out, but had died of shock.
   "The people who took the house two years ago left in a week, and threatened to bring an action against Wilkes, but they were warned they had no legal case. And I strongly advise you, more than that, implore you, to follow their example, though I can imagine the financial loss and great inconvenience, for that house is a death-trap."
   "I will," I replied. "I forgot to mention one thing; when my little boy was so badly frightened he said something about 'a green monkey.' "
   "He did!" said Sir William sharply. "Well then, it is absolutely imperative that you should leave at once. You remember I mentioned the death of certain children. Well, in each case they have been found drowned in the reeds just at the end of that lane, and the people about here have a firm belief that 'The Green Thing,' or 'The Green Death—it is sometimes referred to as the first and sometimes as the other—is connected with danger to children."
   "Have you ever seen anything yourself?" I asked.
   "I go to the infernal place as little as possible," replied Sir William, "but when I called on your predecessors I most distinctly saw someone leave the drawing-room as we entered it, otherwise all I have noted is a certain dream which recurs with curious regularity. I find myself standing at the end of the lane and watching the river—always in a sort of brassy half-light. And presently something comes floating down the stream. I can see it jerking up and down, and I always feel passionately anxious to see what it may be. At first I think that it is a log, but when it gets exactly opposite me it changes its course and comes towards me, and then I see that it is a dead body, very decomposed. And when it reaches the bank it begins to climb up towards me, and then I am thankful to say I always awake. Sometimes I have thought that one day I shall not wake just then, and that on this occasion something will happen to me, but that is probably merely the silly fancy of an old gentleman who has concerned himself with these singular events rather more than is good for his nerves."
   "That is obviously the explanation," I said, "and I am extremely grateful to you. We will leave to-morrow. But don't you think we should attempt to devise some means by which other people may be spared this sort of thing, and this brute Wilkes be prevented from letting the house again?"
   "I certainly do so, and we will discuss it further on some other occasion. And now go and pack!"
   A very great and charming gentleman, Sir William, I reflected, as I walked back to The Red Lodge.
   Tim seemed to have recovered excellently well, but I thought it wise to keep him out of the house as much as possible, so while Mary and the maids packed after lunch I went with him for a walk through the fields. We took our time, and it was only when the sky grew black and there was a distant rumble of thunder and a menacing little breeze came from the west that we turned to come back. We had to hurry, and as we reached the meadow next to the house there came a ripping flash and the storm broke. We started to run for the door into the garden when I tripped over my bootlace, which had come undone, and fell. Tim ran on. I had just tied the lace and was on my feet again when I saw something slip through the door. It was green, thin, tall. It seemed to glance back at me, and what should have been its face was a patch of soused slime. At that moment Tim saw it, screamed, and ran for the river. The figure turned and followed him, and before I could reach him hovered over him. Tim screamed again and flung himself in. A moment later I passed through a green and stenching film and dived after him. I found him writhing in the reeds and brought him to the bank. I ran with him in my arms to the house, and I shall not forget Mary's face as she saw us from the bedroom window.
   By nine o'clock we were all in a hotel in London, and The Red Lodge was an evil, fading memory. I shut the front door when I had packed them all into the car. As I took hold of the knob I felt a quick and powerful pressure from the other side, and it shut with a crash. The Permanent Occupants of The Red Lodge were in sole possession once more.

Ghost Hunt


   Well, listeners, this is Tony Weldon speaking. Here we are on the third of our series of Ghost Hunts. Let's hope it will be more successful than the other two. All our preparations have been made and now it is up to the spooks. My colleague tonight is Professor Mignon of Paris. He is the most celebrated investigator of psychic phenomena in the world and I am very proud to be his collaborator.
   We are in a medium-sized, three-story Georgian house not far from London. We have chosen it for this reason: it has a truly terrible history. Since it was built, there are records of no less than thirty suicides in or from it and there may well have been more. There have been eight since 1893. Its builder and first occupant was a prosperous city merchant and a very bad hat, it appears: glutton, wine bibber and other undesirable things, including a very bad husband. His wife stood his cruelties and infidelities as long as she could and then hanged herself in the powder closet belonging to the biggest bedroom on the second floor, so initiating a horrible sequence.
   I used the expression "suicides in and from it", because while some have shot themselves and some hanged themselves, no less than nine have done a very strange thing. They have risen from their beds during the night and flung themselves to death in the river which runs past the bottom of the garden some hundred yards away. The last one was actually seen to do so at dawn on an autumn morning. He was seen running headlong and heard to be shouting as though to companions running by his side. The owner tells me people simply will not live in the house and the agents will no longer keep it on their books. He will not live in it himself, for very good reasons, he declares. He will not tell us what those reasons are; he wishes us to have an absolutely open mind on the subject, as it were. And he declares that if the professor's verdict is unfavorable, he will pull down the house and rebuild it. One can understand that, for it seems to merit the label, "Death Trap".
   Well, that is sufficient introduction. I think I have convinced you it certainly merits investigation, but we cannot guarantee to deliver the goods or the ghosts, which have an awkward habit of taking a night off on these occasions.
   And now to business - imagine me seated at a fine satinwood table, not quite in the middle of a big reception room on the ground floor. The rest of the furniture is shrouded in white protective covers. The walls are light oak panels. The electric light in the house has been switched off, so all the illumination I have is a not very powerful electric lamp. I shall remain here with a mike while the professor roams the house in search of what he may find. He will not have a mike, as it distracts him and he has a habit, so he says, of talking to himself while he conducts these investigations. He will return to me as soon as he has anything to report. Is that all clear? Well, then, here is the professor to say a few words to you before he sets forth on his tour of discovery. I may say he speaks English far better than I do. Professor Mignon -
   Ladies and gentlemen, this is Professor Mignon. This house is without doubt, how shall I say, impregnated with evil. It affects one profoundly. It is bad, bad, bad! It is soaked in evil and reeking from its wicked past. It must be pulled down, I assure you. I do not think it affects my friend, Mr. Weldon, in the same way, but he is not psychic, not mediumistic, as I am. Now shall we see ghosts, spirits? Ah, that I cannot say! But they are here and they are evil; that is sure. I can feel their presence. There is, maybe, danger. I shall soon know. And now I shall start off with just one electric torch to show me the way. Presently I will come back and tell you what I have seen, or if not seen, felt and perhaps suffered. But remember, though we can summon spirits from the vasty deep, will they come when we call for them? We shall see.
   Well, listeners, I'm sure if anyone can, it's the professor. You must have found those few words far more impressive than anything I said. That was an expert speaking on what he knows. Personally, alone here in this big, silent room, they didn't have a very reassuring effect on me. In fact, he wasn't quite correct when he said this place didn't affect me at all. I don't find it a very cheerful spot, by any means. You can be sure of that. I may not be psychic, but I've certainly got a sort of feeling it doesn't want us here, resents us, and would like to see the back of us. Or else! I felt that way as soon as I entered the front door. One sort of had to wade through the hostility. I'm not kidding or trying to raise your hopes.
   It's very quiet here, listeners. I'm having a look around the room. This lamp casts some queer shadows. There is an odd one near the wall by the door, but I realize now it must be one cast by a big Adams bookcase. I know that's what it is because I peeped under the dust cover when I first came in. It's a very fine piece. It's queer to think of you all listening to me. I shouldn't really mind if I had some of you for company. The owner of the house told us we should probably hear rats and mice in the wainscoting. Well, I can certainly hear them now. Pretty hefty rats, from the sound of them - even you can almost hear them, I should think.
   Well, what else is there to tell you about? Nothing very much, except that there's a bat in the room. I think it must be a bat and not a bird. I haven't actually seen it, only its shadow as it flew past the wall just now and then it fanned past my face. I don't know much about bats, but I thought they went to bed in the winter. This one must suffer from insomnia. Ah, there it is again - it actually touched me as it passed.
   Now I can hear the professor moving about in the room above. I don't suppose you can - have a try. Now listen carefully -
   Hello! Did you hear that? He must have knocked over a chair or something - a heavy chair, from the sound of it. I wonder if he's having any luck. Ah, there's that bat again - it seems to like me. Each time it just touches my face with its wings as it passes. They're smelly things, bats - I don't think they wash often enough. This one smells kind of rotten.
   I wonder what the professor knocked over - I can see a small stain forming on the ceiling. Perhaps a flower bowl or something. Hello! Did you hear that sharp crack? I think you must have. The oak panelling stretching, I suppose, but it was almost ear-splitting in here. Something ran across my foot then - a rat, perhaps. I've always loathed rats. Most people do, of course.
   That stain on the ceiling has grown quite a lot. I think I'll just go to the door and shout to the professor to make sure he's all right. You'll hear me shout and his answer, I expect -
   Professor! - Professor! -
   Well, he didn't answer. I believe he's a little bit deaf. But he's sure to be all right. I won't try again just yet, as I know he likes to be undisturbed on these occasions. I'll sit down again for a minute or two. I'm afraid this is rather dull for you, listeners. I'm not finding it so, but then of course -There, I heard him cough. Did you hear that cough, listeners - a sort of very throaty double cough? It seemed to come from - I wonder if he's crept down and is having a little fun with me, because I tell you, listeners, this place is beginning to get on my nerves just a wee little bit, just a bit. I wouldn't live in it for a pension, a very large pension - Get away, you brute! That bat - faugh! It stinks.
   Now listen carefully - can you hear those rats? Having a game of Rugger, from the sound of them. I really shall be quite glad to get out of here. I can quite imagine people doing themselves in in this house. Saying to themselves, after all, it isn't much of a life when you think of it - figure it out, is it? Just work and worry and getting old and seeing your friends die. Let's end it all in the river!
   I'm not being very cheerful, am I? It's this darned house. Those other two places we investigated didn't worry me a bit, but this - I wonder what the professor's doing, besides coughing. I can't quite make that cough out because - get away, you brute! That bat'll be the death of me! Death of me! Death of me!
   I'm glad I've got you to talk to, listeners, but I wish you could answer back. I'm beginning to dislike the sound of my own voice. After a time, if you've been talking in a room alone, you get fanciful. Have you ever noticed that? You sort of think you can hear someone talking back -
   There! - No, of course you couldn't have heard it, because it wasn't there, of course. Just in my head. Just subjective, that's the word. That's the word. Very odd. That was me laughing, of course. I'm saying "of course" a lot. Of course I am. Well, listeners, I'm afraid this is awfully dull for you. Not for me, though, not for me! No ghosts so far, unless the professor is having better luck -
   There! You must have heard that! What a crack that panelling makes! Well, you must have heard that, listeners - better than nothing! Ha, ha! Professor! Professor! Phew, what an echo!
   Now, listeners, I'm going to stop talking for a moment. I don't suppose you'll mind. Let's see if we can hear anything -
   Did you hear it? I'm not exactly sure what it was. Not sure. I wonder if you heard it? Not exactly, but the house shook a little and the windows rattled. I don't think we'll do that again. I'll go on talking. I wonder how long one could endure the atmosphere of this place. It certainly is inclined to get one down.
   Gosh, that stain has grown - the one on the ceiling. It's actually started to drip. I mean form bubbles - they'll start dropping soon. Colored bubbles, apparently. I wonder if the professor is okay? I mean he might have shut himself up in a powder closet or something, and the powder closets in this house aren't particularly - well, you never know, do you?
   Now I should have said that shadow had moved. No, I suppose I put the lamp down in a slightly different position. Shadows do make odd patterns, you must have noticed that. This one might be a body lying on its face with its arms stretched out. Cheerful, aren't I? An aunt of mine gassed herself, as a matter of fact - well, I don't know why I told you that. Not quite in the script.
   Professor! Professor! Where is that old fuzzy-whiskers? I shall certainly advise the owner to have this place pulled down. Emphatically. Then where'll you go! I must go upstairs in a minute or two and see what's happened to the professor. Well, I was telling you about auntie -
   D'you know, listeners, I really believe I'd go completely crackers if I stayed here much longer - more or less, anyway, and quite soon, quite soon, quite soon. Absolutely stark, staring! It wears you down. That's exactly it, it wears you down. I can quite understand - well, I won't say all that again. I'm afraid this is all awfully dull for you, listeners. I should switch it off if I were you -
   I should! What's on the other program? I mean it - switch off! There, what did I tell you - that stain's started to drip drops, drip drops, drip drops, drip drops! I'll go and catch one on my hand -
   Good God!
   Professor! Professor! Professor! Now up those stairs! Which room would it be? Left or right? Left, right, left, right - left has it. In we go —
   Well, gentlemen, good evening! What have you done with the professor? I know he's dead - see his blood on my hand? What have you done with him? Make way, please, gentlemen. What have you done with him? D'you want me to sing it - tra-la-la -
   Switch off, you fools! Well, if this isn't too darned funny - ha, ha, ha, ha! Hear me laughing, listeners -Switch off, you fools!
   That can't be him lying there - he hadn't a red beard! Don't crowd round me, gentlemen. Don't crowd me, I tell you!
   What do you want me to do? You want me to go to the river, don't you? Ha, ha! Now? Will you come with me? Come on, then! To the river! To the river!

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