The Watchers Return Out of Time is a work in Progress.
The Watchers Out of Time Posthumous Collaboration is a serialization.
© Donald Correll 2009 All Rights Reserved.
I was studying at my desk late one night, dare I say weak and weary when I had an attack, of some kind. As I struggled to breathe I managed to stand up partially but I almost immediately I fell over and hit my head on the desk. That lasted, what maybe a couple of seconds, but when I blacked out I was in another time and space. Suddenly Lovecraft and Poe and (others?) were in the room with me. Outlined in darkness, they told me that I could write horror stories but I would have to pay the price. I would have to learn to think the way that they did and to do that I must take a trip to the darkside.
All of my life I have been a scientific materialist and I never saw things, not boogle nor hant, angels or demons. That was before I had my darkside vision. Now I wake up in the dar and sleep write. A line or two, sometimes several paragraphs at a time. Then I go back to sleep until the next paragraph comes along. Finally when I wake up I try to interpret my dream notes. Not all that I write is suitable for my story, and some of it is not even legible, but two thirds of the outline for my story Watchers Return From Beyond Time has come this way. The rest has been written very in the darkest hours of the night. Some of it I am proud to say is so scary that I even scare myself. I hope that you enjoy reading as much as I have enjoyed writing.
I have tried very hard to capture the look and feel of a Lovecraft story. I have mined many of the colorful words from the works of Lovecraft. Works such as the Dunwich Horror and the DreamQuest of Unknown Kaddath. I got the original idea from a story fragment written by August Derleth but the plot, body, and climax are all my own work. This is my first foray into the realm of Posthumous Collaboration but I hope that it will not be my last.
So come along with me and take a trip to the Darkside, back to Dunwich where it all began—
The Watchers Out of Time was originally written as a posthumous collaboration from notes left by H. P. Lovecraft and his literary executor August Derleth, that was unfinished at the time of August Derleth’s death, July 4, 1971. The Watchers Out of Time was number fifteen of an anthology of the same name that though labeled HP Lovecraft was actually written by August Derleth. Too many purists this was heresy. Almost in spite of the fact that Derleth and Arkham House publishing did much to preserve and enhance the Lovecraft legacy these stories remain controversial to this very day.
Despite the controversy of presenting the story as a collaborative work, The story The Watchers Out of Time is so shrouded in Necronomic mystery, that it seemed to me to be too good, to let it languish forever. Unfortunately little factual data remains, beyond the historical frame of reference for this work. No complete explanation of how this story was written and published, makes it difficult to fully appreciate which parts are Lovecraft and which parts are Derleth. Some of the descriptions of Dunwich are from the Dunwich Horror. Additional story elements have been borrowed from The Dreamquest of Unknown Kadath, The Case of Charles Dexter Ward, and Dreams in the Witch House A few story elements are similar to some of the other ‘Lovecraft -Derleth’ collaborations, so called, published in The Watchers Out of Time anthology of stories by August Derleth. While H.P. Lovecraft certainly contributed notes and plot lines to the original story to some degree, The Watchers Out of Time, was substantially rewritten by August Derleth. It is my purpose to complete The Watchers Out of Time and to provide a worthwhile conclusion to a great story.
In his own time HP Lovecraft loved to share and encourage participation in the creation of his Mythos. Since the time of Lovecraft, Derleth, many other writers like Robert Bloch, Frank Belknap Long, Henry Kuttner and Manly Wade Wellman have participated and helped to create the Necronomicon tradition. Which in turn has given birth to a cottage industry that has sprung up around the writing of Lovecraft Mythos tributes. It was in that tradition that I wrote The Watchers Return, Out of Time. My purpose in writing a new version of the uncompleted and debatable Lovecraft -Derleth collaboration is to avoid infringement, while participating in the creation and preservation of the Lovecraft Mythos. Although fourteen of the stories are copyrighted, no copyright notice was given with this the concluding story in the anthology. Because of this lacunae in the knowledge of the authorship, some parts of this story are rewritten and recycled with similar plot points and a different set of characters.
The final lines written subsequent to the death of Derleth, were: “Read that you may know, that you may prepare to wait for Those Who Watch, and fulfill that which is meant to be”. ‘There was no signature, but the writing was crabbed and uncertain.-’ Subsequently throughout the rest of the story all plot points and characters are my own invention. The Watchers Return, Out of Time, is my first contribution to the growing Lovecraft Mythos tradition. Numerous points have been inspired by my research, and derive from diverse sources on the Internet, as well as the works of HP Lovecraft and his ever expanding circle of admirers. Despite the controversy over style it is the intent of the current author to return with loving respect and to resume the Mythos tradition as much as possible. It remains to be determined how well this work will be accepted. It is a Horror fantasy of dark science fiction set in the mythical past of ‘Lovecraft Country’. All persons, myths and or traditions referred to are entirely fictive and made up in my imagination.
Nor is it to be thought that man is either the oldest or the last of earth’s masters, or that the common bulk of life and substance walks alone. The Old Ones were, the Old Ones are, and the Old Ones shall be. Not in the spaces we know, but between them, they walk serene and primal, unidimensional and to us unseen. Yog-Sothoth knows the gate. Yog-Sothoth is the gate. Yog-Sothoth is the key and guardian of the gate. Past, present, future, all are one in Yog-Sothoth. He knows where the Old Ones broke through of old, and where They shall break through again. He knows where They had trod earth’s fields, and where They still tread them, and why no one can behold Them as They tread. By Their smell can men sometimes know Them near, but of Their semblance can no man know, saving only in the features of those They have begotten on mankind; and of those are there many sorts, differing in likeness from man’s truest eidolon to that shape without sight or substance which is Them. They walk unseen and foul in lonely places where the Words have been spoken and the Rites howled through at their Seasons. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. Kadath in the cold waste hath known Them, and what man knows Kadath? The ice desert of the South and the sunken isles of Ocean hold stones whereon Their seal is engraver, but who bath seen the deep frozen city or the sealed tower long garlanded with seaweed and barnacles? Great Cthulhu is Their cousin, yet can he spy Them only dimly. Iä! Shub-Niggurath! As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. Yog-Sothoth is the key to the gate, whereby the spheres meet. Man rules now where They ruled once; They shall soon rule where man rules now. After summer is winter, after winter summer. They wait patient and potent, for here shall They reign again. From The Dunwich Horror by HP Lovecraft-
Story Synopsis
Ever since the trouble of 1928 Dunwich had been quiet. Not much in Dunwich has changed. Dunwich is still a decadent backwater, and strange sounds still emanate from the heights. A new generation has inherited property in Dunwich, a generation disconnected from the Dunwich of the horror of 1928. While the world has gone by, a forgotten branch of the Whatelely family remains hidden and unknown to all but themselves. But in a forgotten farmhouse, hard against Sentinel Hill a certain small group of the undecayed Whateleys has been watching and waiting. These watchers’ efforts were and are to continue the work of Wizard Whately, secretly and unimpeded by the disaster. What fiendish new plot is set to erupt upon an unsuspecting world? Though shunned and hidden the Whateley Cabal knows. Unimaginably rich from the Alchemical plunder of necromantic commerce with aliens from beyond Yuggoth, they are still intent upon opening a door to all time and space so that those from outside can return to reclaim their own and blow earth’s dust away.
Work on developing resources and linking to Suprenatural Horror in Literature is coming well along now. Please see: Linked version of Supernatural Horror in Literature
A Sample of Ritual referenced in Supernatual Horror in Literature and Developed from Wiccan Sources for a group working.
Also added was a Browse Alphabetic by Author function. Please see:Browse By Author
I have begun to write in Serial Format my own contribution to the Road To Great Cthulhu. The following is a teaser:
© Donald Correll 2008 All Rights Reserved.
Closer to real greatness was the eccentric and saturnine journalist Ambrose Bierce, born in 1842; who likewise entered the Civil War, but survived to write some immortal tales and to disappear in 1913 in as great a cloud of mystery as any he ever evoked from his nightmare fancy.Lovecraft on Bierce
Early upon our list of early contributors, is Ambrose Bierce. Who was said to have influenced and inspired Lovecraft in his development of the necronomicon and the Mythos Theme. To paraphrase Lovecraft in Supernatural Horror in Literature: Bierce’s theme was dread of immortality, life more hideous than death. Oblivion, the Great Grail to be desired, is denied us. Carcosa the dead city in An Inhabitant of Carcosa possibly derives from the famous, fabled and legendary city of Carcasonne , in the south of France, made familiar by Lord Dunsany. Carcosa is again revisited by Robert W. Chambers in the King in Yellow.
The oft quoted Hali whose speech prefaces An Inhabitant of Carcosa and again prefacesThe Death Of Halpin Frayser which was Bierce’s ancient prophet of the antique and occult. His name is said to be the latinized form of Khalid ibn Yazid ibn Mu’ awiyah heir of the Caliph, poet, orator, student of Alchemy and Astronomy who lived around the time of the end of the seventh Century. It might be speculated that Bierce’s Hali inspired Lovecraft’s author of the Necronomicon, Alhazred.
In The Festival Lovecraft first writes of the Necronomicon, “Pointing to a chair, table, and pile of books, the old man now left the room; and when I sat down to read I saw that the books were hoary and mouldy, and that they included old Morryster’s wild Marvels of Science, the terrible Saducismus Triumphatus of Joseph Glanvil, published in 1681, the shocking Daemonolatreja of Remigius, printed in 1595 at Lyons, and worst of all, the unmentionable Necronomicon of the mad Arab Abdul Alhazred, in Olaus Wormius’ forbidden Latin translation; a book which I had never seen, but of which I had heard monstrous things whispered. That ” Morryster’s wild Marvels of Science”, is from the Bierce story “The Man and the Snake”.“It is of veritabyll report, and attested of so many that there be nowe of wyse and learned none to gaynsaye it, that ye serpente hys eye hath a magnetick propertie that whosoe falleth into its svasion is drawn forwards in despyte of his wille, and perisheth miserabyll by ye creature hys byte.
Stretched at ease upon a sofa, in gown and slippers, Harker Brayton smiled as he read the foregoing sentence in old Morryster’s “Marvells of Science.” “The only marvel in the matter,” he said to himself, “is that the wise and learned in Morryster’s day should have believed such nonsense as is rejected by most of even the ignorant in ours.”
To continue paraphrasing Lovecraft in Supernatural Horror in Literature: Bierce was a satirist and pamphleteer whose artistic reputation for grim and savage short stories; form the most vivid and realistic expression of the conflictthat was the Civil War .
Virtually all of Bierce’s tales are tales of horror; which treat only of the physical and psychological horrors within Nature, however a substantial proportion admit the malignly supernatural. Bierce the great “shadow-maker” evoces horror not so much the prescription or perversion of Poe or Maupassant, but an atmosphere definite and uncannily precise. Words, so simple take on an unholy horror, a new and unguessed transformation. Diabolism in its tormented death a legitimate and reliant means to the end. A tacit confirmation with Nature.
In The Death of Halpin Frayser flowers, verdure, and the boughs and leaves of trees are magnificently placed as an opposing foil to unnatural malignity. Not the accustomed golden world, but a world pervaded with the mystery of blue and the breathless recalcitrance of dreams is Bierces. Yet, curiously, inhumanity is not altogether absent. The grim malevolence stalking through all of them is unmistakable. The Death of Halpin Frayser, the most fiendishly ghastly tale in the literature of the Anglo-Saxon race, tells of a body skulking by night without a soul in a weird and horribly ensanguined wood, and of a man beset by ancestral memories who met death at the claws of that which had been his fervently loved mother.
The Spook House conveys terrible hints of shocking mystery. An entire family of seven persons disappears suddenly and unaccountably, leaving all its possessions untouched–furniture, clothing, food supplies, horses, cattle, and slaves. About a year later two men forced by a storm to take shelter in the deserted dwelling, stumble into a strange subterranean room lit by an unaccountable greenish light and having an iron door which cannot be opened from within. In this room lie the decayed corpses of all the missing family; overpowered by a strange foetor, one accidentally shuts his companion in the vault and loses consciousness. The survivor recovering his senses six weeks later, is unable to find the hidden room; and the house is burned and the imprisoned discoverer is never seen or heard of again.
In another work Ambrose Bierce, invented Hastur the Terrible, to be later reincarnated by Lovecraft in the Mythos Theme. In Haita The Shepherd, A simple shepherd whose ‘illusions of youth had not been supplanted by those of age and experience. His thoughts were pure and pleasant, for his life was simple and his soul devoid of ambition.’ Haita ‘rose with the sun and went forth to pray at the shrine of Hastur.’— ‘It is kind of thee, O Hastur,’ so he prayed, ‘to give me mountains so near to my dwelling and my fold that I and my sheep can escape the angry torrents; but the rest of the world thou must thyself deliver in some way that I know not of, or I will no longer worship thee.’
‘And Hastur, knowing that Haita was a youth who kept his word, spared the cities and turned the waters into the sea.’
Although Bierce seldom realises the possibilities of his themes and much of his work contains a certain touch of naiveté, prosaic angularity, or early-American provincialism the genuineness and artistry of his dark intimations are always unmistakable, so that his greatness is in no danger of eclipse.
Ambrose Bierce, almost unknown in his own time, has now reached something like general recognition. Lovecraft on Bierce
For more please see:
The Road To Great Cthulhu
Also of interest is a linked version of
Supernatural Horror
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Wild Huntsmen (Die Wilde Jager)Gottfried BürgerTranslated from the German by Walter ScottN.B. Wicca Portions from various sources. Open Circle
(Salt to water 3x; Trace Circle; Return to altar facing north;
Wildhuntsman (Gwynn Ap Nudd) Chorus;
(When, spurring from opposing sides,
(He wav’d his huntsman’s cap on high,)
(The sable hunter hoarse replies;)
(Herdsmen and Husbandman Fall)
(All mild, amid the route profane,
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Week of November 1, 2007
Continue Marking up Dunsany.
Start Scan, OCR, Markup of Long.
Sick 11/5 through 11/23.
Finished and Posted Dunsany and Long.
Start ‘The Road to Great Cthulhu.’
CD is now ready. Literally hundreds and hundreds of stories, poems, and books, many illustrated. The price is $25 plus $5 s&h (US Currency)
In honor of Hp Lovecraft’s birthday I added Lovecraft’s poem Fungi From Yugoth